the OSCARS 2020

Liza, the swooping gilded centerpiece of the 2020 Oscars, was the single largest, flown, moving piece of scenic ever constructed for the Dolby stage. It is a triumph of engineering, metal work, scenic, electric and refusal to compromise a creative vision.

the OSCARS 2019

The 2019 Oscar stage proscenium arch, whose powerful strokes and soft curves needed to be assembled seamlessly, was the largest sculptural piece our team has ever built. Scale modeling, support structure, and a well-planned route to stage made this unique set piece possible.  

ROLEX 2020

The standards for the Rolex Green Room, backstage at the Oscars, are exactly what you would expect. This highly polished set included a custom display case and chandelier, camera obscura illusion on all sides, and a modular build for tight and efficient install.

DOOM

This rich sci-fi set was a blast to build. It had the added challenge of building to integrate with heavy special effects, and it paired green screen with key foreground elements to create a layered and convincing look.

THE LAST JEDI

Building a Star Wars environment for an immersive experience was an absolute joy. There is something magical about building a set for a world class IP that fans can interact with and experience first hand. 

ELLEN

Not all sets stand the test of time, but at GOODNIGHT quality builds are our passion. The Ellen Show set was installed in 2014 and is still being used today. This talk show set has become an icon. 

ELON MUSK

Every once in a while you get to build something that gives you a glimpse into the future. This ambitious project transformed a classic Hollywood backlot into the neighborhood of the future.

MADEWORN

GOODNIGHT built this modern pop up shop and oversaw its install in the historic Le Bon Marche, Paris. Erected beneath the department store's elegant glass atrium-ceiling, this build was a beautiful and rewarding challenge.

VOLVO XC90

The Highway Robbery Volvo commercial was a sleek set build integrated with power generating technology. It’s not every day you get to power your set with moving traffic. The clean lines and interactive technology make this commercial set a noteworthy build. 

COME AWAY

This Los Angeles-based feature film set build needed to speak to real exteriors in Cheshire England and match seamlessly with a twin sister set at Pinewood Studios, in the UK.
Real life reference, impeccable craftsmanship, and use of reclaimed wood made this set a beautiful and memorable build.